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Box 36

 Container

Contains 6 Results:

Letter to Hugo Leichtentritt from Esther Tipple

 File — Box: 36, Folder: 1
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1890s-1990s

"The Orchestral Manual," by Adolph Tandler, 1946

 File — Box: 36, Folder: 2
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1946

Karl Eschman, "Changing Forms in Modern Music", 1945

 File — Box: 36, Volume: 1
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1945

Samuel W. Cole, "Solfeggio", 1903

 File — Box: 36, Volume: 2
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1903

Rubert Hughes, ed., "Music Lover's Cyclopedia", 1914

 File — Box: 36, Volume: 3
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1914

Allen I. McHose and Ruth Northup Tibbs, "Sight Singing Manual", 1947

 File — Box: 36, Volume: 4
Scope and Contents From the Collection: Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates: 1947