Box 36
Container
Contains 6 Results:
Letter to Hugo Leichtentritt from Esther Tipple
File — Box: 36, Folder: 1
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1890s-1990s
"The Orchestral Manual," by Adolph Tandler, 1946
File — Box: 36, Folder: 2
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1946
Karl Eschman, "Changing Forms in Modern Music", 1945
File — Box: 36, Volume: 1
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1945
Samuel W. Cole, "Solfeggio", 1903
File — Box: 36, Volume: 2
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1903
Rubert Hughes, ed., "Music Lover's Cyclopedia", 1914
File — Box: 36, Volume: 3
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1914
Allen I. McHose and Ruth Northup Tibbs, "Sight Singing Manual", 1947
File — Box: 36, Volume: 4
Scope and Contents
From the Collection:
Leroy J. Robertson's original manuscripts are the major part of this collection. Many of these manuscripts show the progression from first melody sketches to the completed works. Notes and thematic analyses accompany many of the compositions. The collection includes correspondence from many prominent musicians, students, friends, and family. There is also correspondence related to his professional activities as a composer (publishers, copyrights, royalties, grants, etc.); as head of the College...
Dates:
1947