The Preston D. Linford photograph collection consists of portraits of Linford.

The Albert G. Londema papers (1945-1966) consists of two trophies awarded to Londema and a scrapbook detailing the activities of the Utah Cine Arts Club. Londema was an amatuer movie maker.

The Barry Lynn papers (1931-1976) consist of a variety of personal and professional papers concerning Barry Lynn (b. 1913), a well-known dancer and founder of Lynn Dance Company. Included are correspondence, certificates, poetry, concert programs, news clippings, and military documents.

The Barry Lynn photograph collection contains portraits of Barry Lynn, members of his family, friends, and associates. The collections also contains photographs of Barry Lynn and others performing in various modern dance pieces.

The Ralph Elliott Margetts papers (1926-1980s) consist mainly of theater programs for plays which were acted in or directed by Margetts. Ralph Margetts (b. 1909) was a professor of drama at the University of Utah and an actor and director in Salt Lake City.

The Ralph Elliott Margetts photograph collection contains photographs and slides of theater productions produced or directed by Ralph Margetts. Included are both production and publicity shots.

The Melba Goff Matthews photograph collection contains scans taken from Melba Goff Matthews' scrapbook. The images in the Matthews collection reflect her time spent dancing and involvement in other activities at the University of Utah. There are also images of her brother Louis E. Goff and photos from her early career at Murray High School.

The Melba Goff Matthews scrapbook [photocopy] (1920-1980) contains programs, photographs, correspondence, and news clippings. These materials are centered around Melba Goff Matthews (b. 1909) and her involvement in orchesis dance and other activities at the University of Utah. Also included are various family materials she collected and added to the scrapbook.

The Byron McGrath papers (1926-1993) consist of materials regarding the personal and professional lives of both Byron McGrath and Grace Coppin McGrath as actors, teachers, and philanthropists.

The David McKenzie papers (1860-1962) include early programs, playbills, tickets, scripts, librettos, and other materials related to the Salt Lake Theater, as well as some personal papers of David McKenzie (1833-1912), manager of the theater.

The David McKenzie photograph collection contains photographs of the Salt Lake Theatre, portraits of various actors and photographs of the demolition of the Salt Lake Theatre(1928-1929).

The Blanche Kendall McKey papers (1892-1971) illustrate the personal and professional life of this actress, playwright, and drama teacher.

The Blanche Kendall McKey photograph collection contains portraits of Blanche McKey, relatives, and friends. The collection also contains photographs of McKey performing in numerous roles in Salt Lake City, New York, and Chicago.

The Nancy Melich papers (1920-2009) consist of correspondence, theatre reviews, interviews, article drafts, playbills, and theatre perephernalia from her career as a theatre critic for the Salt Lake Tribune. Melich's career spanned nearly 30 years, and she was influential in Utah's local theatre scene.

This collection is a reflection of Marsha Midgley and her university theatrical career. In 1953, she was the lead in the theatre department's production of Saint Joan. A scrapbook from that production is contained in the collection. It includes everything from production notes to material samples and reviews. There is also correspondence from 1950 to 1953.

The Marsha Ballif Midgley photograph collection consists of general images of people and of classrooms with dictaphone equipment. Marsha Midgley had a University theatrical career and in 1953, she was the lead in the theatre department's production of Saint Joan.

The Elizabeth and Jimmy Miklavcic papers (2010-2013) consist of a script entitled XYZ written by Elizabeth Miklavcic. This work explores the social and personal elements of width, height, and depth through poetry, music, movement, and stereographic media. Also include is the article, "InterPlay: Performing on a High Tech Wire (Collaborative , Real-Time, Distributed, Surrealistic Cinema)."

The Glen Miller scrapbooks (1891-1915) consist of two scrapbooks mainly detailing Salt Lake City's theater activities and local amusements and entertainment.

The Mormon Tabernacle Choir photograph collection contains various groups portraits of the Mormon Tabernacle Choir at different venues in the 1960s and 1970s.