The Patricia C. Albers postcard collection contains images of Native Americans, many of the Navajo and Pueblo peoples. Also included are slides produced by the Museum of Man (location unknown) documenting native and aboriginal customs and activities.

The American Indian postcard collection (1900s-1940s) consists of cards created by various photographers depicting Native American communities located mainly in New Mexico and Arizona.

The Jan Andrews independent film collection (1984-2002) consists of seven experimental and/or documentary films by Utah filmmaker Jan Andrews. Andrews holds of Master of Fine Arts degree in film from the University of Utah. This collection is part of the Utah Independent Film Archive (UIFA).

The film The Big Chance (1968) focuses on the opportunities offered by the Madera Employment Training Center in Madera California. The training center is operated by the Education and Technical Services Division under contract with the Bureau of Inadian Affairs, United States Department of Interior.

The John S. Boyden photograph collection contains photographs of John S. Boyden with Franklin Roosevelt and his son. There are also pictures of Boyden's family, Boyden receiving awards, and prints of the interiors of various churches in Utah.

The William F. Bulkley photograph collection contains images reflecting the Episcopalian Church's influence in Utah during the early twentieth century. Folders 1-15 contain poster boards with photographs, articles, and hand-drawn maps.

The Edward Sheriff Curtis Portfolio photograph collection consists of images that supplement the large phogravure plates of the portfolio housed in the Rare Books vault.

The Glen Canyon archaeological survey photograph collection contains images of excavations, artifacts, and cliff dwellings taken during an archaeological survey of Glen Canyon prior to its flooding. The survey was headed by Jesse Jennings of the University of Utah Department of Anthropology. Included are photographs of some of the members of the survey party.

The Vyrie Gray photograph collection consits of group and individual images of Gosiute Indians.

The E. Richard Hart photograph collection consists of photographs of the Duck Valley Reservation; photographs of various locations used to document Zuni land claims; and photographs and oral history transcripts concerning the town of Hailey, Idaho.

The photographs in this collection are scenes of Southern Utah and the Four-Corners Area during the 1920s. Included are several particularly interesting views of Mesa Verde National Monument. There is also one portrait of Orson Pratt.

The Indian self-rule oral history audio recordings consists of audio from the 1983 Indian self-rule conference as well as interviews with Native Americans. This collection was previously part of the Ethnic archives oral history audio recordings collection (A0853).

The James Jacobs photograph is of a pictograph group called "Head of Sinbad."

The Albert H. Kneale papers (1880-1943) consists of correspondence, reports, and photos.

The Kathryn Mackay audio recordings contain interviews conducted by Kathryn MacKay. This collection was previously part of the Ethnic archives oral history audio recordings collection(A0853).

The John McNamara photograph collection constists of imgaes of Southern Ute Indians.

The James and Linda Mooney papers (1991-2010) chronicle the Mooney's legal battles regarding the 1st Amendment's Freedom of Religion clause, as it applies to Native American Spirituality and peyote use. The Mooneys were involved in several court battles, at both a state and national level, trying to resolve the ambiguity of United States drug law as it applies to religious usage.

Navajo Land is a film produced by the Bureau of Indian Affairs to show Navajo people living on reservations the lives of Native Navajo people living in a big city.

The Wallace Parker drawings consist of ten framed pastels of individuals from Native American tribal groups.

The Ethel M. Piper photograph collection contains two black and white images of Ethel M. Piper. One of these images is a portrait of Piper in 1960, while she was teaching school. The other image is of Piper and a Young Native American to whom she was teaching English in 1914. This collection has been digitized and is available in the digtial library.