The Shirley Ririe papers (1946-2010) consist mainly of programs, announcements, and news clippings pertaining to Ririe and the Ririe-Woodbury Dance Company. Also included are correspondence, biographical information, and miscellaneous personal material. Shirley Ririe is a co-founder of the Ririe-Woodbury Dance Company, which is based in Salt Lake City.

The Ririe-Woodbury Dance Company photograph collection (1960-2004) consist of various materials reflecting the conception, business, and artistic aspects of this Salt Lake City based company. Included are resumes, applications, shows, and artist files.

The Rocketeers Square Dance Club records (1991-2016) consists of board meeting minutes, newsletters, calendars, announcements and other materials related to the activities of this dance club. Rocketeers is an adult couples square dance club with dances held each Saturday night at Columbus Center in Salt Lake City, Utah.

The Nate Rockwood independent film collection (2004) consists of a short documentary about the J. Willard Marriott Library's efforts to find funding to renovate its facilities. Rockwood made the film while a film student at the University of Utah. This collection is part of the Utah Independent Film Archive (UIFA).

The Fred A. Rosenstock photograph collection contains photographs of various locations in California (1850-1859). The collection also contains photographs of actors in stage and television Westerns (circa 1959).

The Royal Ballet programs collection (1934-1970) consists entirely of ballet programs from this dance organization located in London, England.

The Joseph Stanley Russon papers (1898-1980s) contain documents which chronicle his acting career and affiliation with theatrical organizations. The collection contains an autobiographical sketch about Russon's life, the sequence of events leading to his marriage with Allien Robertson, a brief family history, and insight into his passion for performing. Russon was born in Lehi, Utah. This collection also contains programs, news clippings, correspondence, and miscellaneous documents.

The Joseph Stanley Russon photograph collection contains several family portraits and negatives, some formal some candid.

The Salt Lake Theater photograph collection consists of photos of productions, reheardals, and actors affiliated with the Salt Lake Theater

The Salt Lake Theatre records (1864-1913) contain an extensive list of published materials about the Salt Lake Theatre. It includes plays, reviews, actors and actresses, venues, celebrations, and exhibits. The records were researched by Aaron W. Tracy in anticipation of his Ph.D dissertation, which was never completed.

The Linda Sarver papers (1972-2012) consist of her costume designs and renderings, along with production materials for several theatrical plays she was involved with throughout her professional career. Sarver was a costume designer, educator, dramaturg, author, and scenographer.

The George Savage and Gladys Charles play typescript (1946-1947) is entitled "Verily I Do." This play was written by Savage and Charles for the American Educational Theatre Association's Manuscript Play Project.

The Harold Schindler papers (1885-1971) includes information about various theatre centers and exerpts from the book entitled Orrin Porter Rockwell. This collection also includes copies of the Women's Exponent. Harold Schindler was a columnist for the Salt Lake Tribune and a writer on Utah history.

The John D. Spencer papers (1895-1933) contain correspondence, speeches, biographical sketches, programs, and material related to Spencer's affiliation with the Salt Lake Arts Center, the Fine Arts and Letters Society of Utah, the Salt Lake City Opera Company, and other organizations. John D. Spencer (1858-1947) was an insurance executive and patron of the arts.

The John D. Spencer photograph collection contains photographs of John D. Spencer in several plays and portraits of various members of his family.

The John A. Stone papers (1828) consist of a five-act play (fourth act missing) by Stone (1801-1834), entitled Metamora, the Last of the Wampanoags: An Indian Tragedy in Five Acts. The play presents a history of Metamora, a ficticious king of the Wampanoag Indians.

The Orland L. Brig Tapp film collection consists of O. L. Tapp's independent films, unused footage, and various home videos.

The Orland L. "Brig" Tapp scrapbooks (1946-1970) consist of chronologically arrangmed materials regarding Tapp's film career and his involvement with organizations such as the Utah Cine Arts Club. Included in the scrapbooks are programs, correspondence, photographs, and other ephemeral materials.

The theater photograph collection contains portraits and publicity stills of various prominent theatrical performers in Salt Lake City, particularly those connected with the Moroni Olsen Players.